{"id":495,"date":"2020-01-07T14:52:40","date_gmt":"2020-01-07T14:52:40","guid":{"rendered":"http:\/\/dairesanat.com\/?page_id=495"},"modified":"2020-01-07T15:24:17","modified_gmt":"2020-01-07T15:24:17","slug":"sibel-horada","status":"publish","type":"page","link":"https:\/\/dairesanat.com\/index.php\/sibel-horada\/","title":{"rendered":"Sibel Horada"},"content":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=”Sibel Horada” font_container=”tag:h2|text_align:left|color:%23cf2065″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1578410659123{margin-top: 25px !important;margin-bottom: 25px !important;}”]\u00c7al\u0131\u015fmalar\u0131nda ki\u015fisel ve kolektif tarih\u00a0fikrine odaklanan Sibel Horada, yok olmakta olan\u0131n belle\u011fini tuhaf ve rastlant\u0131sal \u00f6rg\u00fcler etraf\u0131nda sorgular. Horada i\u00e7in bellek, kay\u0131p olan\u0131n sadece haf\u0131zas\u0131n\u0131 tutmak de\u011fil, onu\u00a0s\u00fcregelen bir bi\u00e7imde\u00a0yeniden\u00a0\u00fcretmek\u00a0ve \u00e7o\u011fu zaman fiziksel anlamda\u00a0bir ba\u015fka\u00a0\u015feye d\u00f6n\u00fc\u015ft\u00fcrmektir.\u00a0Bu a\u00e7\u0131dan sanat\u00e7\u0131n\u0131n yap\u0131tlar\u0131nda zaman olgusunun\u00a0ayr\u0131cal\u0131kl\u0131 bir yeri vard\u0131r. Zaman salt ge\u00e7mi\u015fi imlemekten \u00f6te,\u00a0 onun\u00a0\u00e7al\u0131\u015fmalar\u0131n\u0131n s\u00fcre\u00e7 i\u00e7erisindeki hareketine, s\u00fcre\u00e7le birlikte yap\u0131lanma potansiyeline\u00a0vurgu yapar. Ar\u015fiv fikri kadar,\u00a0zaman\u0131 bir ba\u015fka a\u00e7\u0131dan imleyen makine fikrini de pek \u00e7ok yap\u0131t\u0131nda sorunsalla\u015ft\u0131rm\u0131\u015f olan Horada, belle\u011fin ya\u015fayan, \u00fcretimsel ve temel olarak formsal s\u0131n\u0131rlar\u0131nda dola\u015f\u0131r. Anlat\u0131 ve metin\u00a0y\u00f6n\u00fc a\u011f\u0131r bassa da Sibel Horada\u2019n\u0131n \u00e7al\u0131\u015fmalar\u0131nda ba\u015flang\u0131c\u0131ndan beri formun ve daha belirgin bi\u00e7imde\u00a0heykelin \u00f6nemli\u00a0bir yeri vard\u0131r.\u00a0Metinsel, anlat\u0131sal i\u00e7eri\u011fi dam\u0131tarak\u00a0\u00fc\u00e7 boyutlu malzemenin olanaklar\u0131n\u0131 kullanan sanat\u00e7\u0131,\u00a0ki\u015fisel ve kolektif bellek ara\u015ft\u0131rmalar\u0131n\u0131\u00a0\u015fiirsel ve dokunakl\u0131\u00a0heykel formlar\u0131nda an\u0131tsalla\u015ft\u0131r\u0131r. (Seda Y\u00f6r\u00fcker)<\/p>\n

 <\/p>\n

<\/a>\u00d6ZGE\u00c7M\u0130\u015e – S\u0130BEL HORADA<\/a><\/h2>\n

 <\/p>\n

1980 y\u0131l\u0131nda \u0130stanbul’da do\u011fdu.<\/p>\n

E\u011e\u0130T\u0130M<\/strong><\/p>\n

1993 – 1998\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Kolej<\/p>\n

1998 – 2003\u00a0\u00a0\u00a0\u00a0\u00a0 Brown \u00dcniversitesi G\u00f6rsel Sanatlar B\u00f6l\u00fcm\u00fc (Lisans) \/ ABD<\/p>\n

2008 – 2011\u00a0\u00a0\u00a0\u00a0\u00a0 Y\u0131ld\u0131z Teknik \u00dcniversitesi Sanat Ve Tasar\u0131m Fak\u00fcltesi (Y\u00fcksek Lisans) \/ \u0130stanbul, T\u00fcrkiye<\/p>\n

K\u0130\u015e\u0130SEL SERG\u0130LER<\/strong><\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 D\u00fc\u015f\u00fc\u015f, Daire Galeri, \u0130stanbul, T\u00fcrkiye<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0 Yang\u0131n G\u00fcnl\u00fckleri, Daire Galeri, \u0130stanbul, T\u00fcrkiye<\/p>\n

KARMA SERG\u0130LER<\/strong><\/p>\n

2014\u00a0\u00a0\u00a0\u00a0\u00a0 Port Izmir 3-International Triennial of Contemporary Art, \u0130zmir, T\u00fcrkiye<\/p>\n

2013 \u00a0 \u00a0 \u00a0Contemporary \u0130stanbul \u00c7a\u011fda\u015f Sanat Fuar\u0131, L\u00fctfi K\u0131rdar Kongre ve Sergi Saray\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Untitled II, Pilevneli Project, \u0130stanbul, T\u00fcrkiye<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 HereTogetherNow Public Presentation, MataderoMadrid, Madrid<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Signs Taken in Wonder: Searching for Contemporary Istanbul, MAK Museum, Viyana<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 Yang\u0131n G\u00fcnl\u00fckleri, Hannover, Almanya<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0 G\u00f6z Karar\u0131, Yaygara, \u00c7ankaya Belediyesi \u00c7a\u011fda\u015f Sanatlar Merkezi, Ankara, T\u00fcrkiye<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0 Turquoise, Galerie Maurits Vad de Laar, Hollanda<\/p>\n

2012\u00a0\u00a0\u00a0\u00a0\u00a0 Bir Mekan\u0131n T\u00fcketilme Denemesi, Hamursuz F\u0131r\u0131n\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary \u0130stanbul \u00c7a\u011fda\u015f Sanat Fuar\u0131, L\u00fctfi K\u0131rdar Kongre ve Sergi Saray\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0 Ki\u015fisel, Hem De De\u011fil, Daire Galeri, \u0130stanbul, T\u00fcrkiye<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0 Gittik\u00e7e, Architecte Simotas Binas\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130stanbul’da Ya\u015f\u0131yor ve \u00c7al\u0131\u015f\u0131yor, Sanat Liman\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0 XXIX. G\u00fcn\u00fcm\u00fcz Sanat\u00e7\u0131lar\u0131 \u0130stanbul Sergisi, \u0130stanbul, T\u00fcrkiye<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0 +Sonsuz, Cer Modern, Ankara, T\u00fcrkiye<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0 M\u00fcphem Haller, Y\u00fcksel Sabanc\u0131 Sanat Merkezi, YT\u00dc, \u0130stanbul, T\u00fcrkiye<\/p>\n

2009\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0131n\u0131rlar \/ Y\u00f6r\u00fcngeler ‘5, Siemens Sanat, \u0130stanbul, T\u00fcrkiye<\/p>\n

ENSTALASYONLAR<\/strong><\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0 Peace Monument, Esentepe HSBC Binas\u0131, \u0130stanbul, T\u00fcrkiye<\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0 Spoon, Saraylar K\u00f6y\u00fc, Marmara Adas\u0131, Bal\u0131kesir, T\u00fcrkiye<\/p>\n

\u00d6D\u00dcLLER\u00a0<\/strong><\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0 HSBC \/ Heykel Yar\u0131\u015fmas\u0131 1.lik \u00d6d\u00fcl\u00fc<\/p>\n

1998\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Koleji \/ Sanata Te\u015fvik \u00d6d\u00fcl\u00fc[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]