http:\/\/elifevrim.com\/<\/a>\u00a0 adresinden ses tariflerini sanat\u00e7\u0131larla payla\u015fabiliyorlar.<\/p>\n <\/p>\n
\u0130lkbahar 2021:<\/em><\/strong><\/p>\n\u00d6zge Engin\u00f6z,\u00a0\u201cAlfabe\u201d<\/em><\/strong><\/p>\n\u00d6zge Engin\u00f6z\u00a0konuk sanat\u00e7\u0131 program\u0131 kapsam\u0131nda bu \u00fc\u00e7 ay boyunca\u00a0Alfabe<\/strong>\u00a0adl\u0131 projesi \u00fczerinde \u00e7al\u0131\u015facak. Sanat\u00e7\u0131, Virginia Woolf \u2018un\u00a0Deniz Feneri\u00a0kitab\u0131 ve g\u00fcnl\u00fcklerinden al\u0131nt\u0131lad\u0131\u011f\u0131 c\u00fcmlelerle kolajlar\u0131n\u0131 bir araya getirerek bir video kitap tasarlayacak. Sesli metin ve kolajlarla bir b\u00fct\u00fcn olu\u015fturacak kitab\u0131 program sonras\u0131 bas\u0131lma a\u015famas\u0131na getirmek ise projenin ikinci basama\u011f\u0131n\u0131 olu\u015fturacak.<\/em><\/p>\n\u00d6zg\u00fcl Kahraman,\u00a0\u201c\u00dc\u00e7 \u0130htimal \u00dczerine\u201d<\/em><\/strong><\/p>\n\u00d6zg\u00fcl Kahraman, son alt\u0131 ayd\u0131r g\u00f6rme yetersizli\u011finin insan ya\u015fam\u0131na yans\u0131malar\u0131 \u00fczerine yo\u011funla\u015fmaktad\u0131r. Bu ba\u011flamda g\u00f6rme engelli bir \u00f6\u011fretmenin deste\u011fiyle Braille alfabe sistemati\u011fini \u00f6\u011frenen sanat\u00e7\u0131, \u00e7al\u0131\u015fma prati\u011fine yans\u0131yan bu yaz\u0131 sistemati\u011fi\u00a0\u00dc\u00e7 ihtimal \u00dczerine<\/em>\u00a0<\/strong>adl\u0131 projesinde kullan\u0131yor.
\nG\u00f6rme yetersizli\u011fi olan bireylerin ya\u015fam dinamiklerinden ilham alan\u00a0\u00dc\u00e7 \u0130htimal \u00dczerine<\/em>, projesi ileti\u015fimin imk\u00e2n ve imk\u00e2ns\u0131zl\u0131klar\u0131n\u0131, insan\u0131n soyut olarak in\u015fa etti\u011fi ya\u015fam dinamikleriyle sorgular. Tikelden t\u00fcmele do\u011fru yol alan bu \u00e7al\u0131\u015fma serisi, g\u00f6rmeme ya da az g\u00f6rmeden kaynakl\u0131 e\u015fitsiz durumlar\u0131, insan ya\u015fam\u0131ndaki anlamland\u0131rma \u00f6l\u00e7\u00fctlerini anlams\u0131zla\u015ft\u0131rarak sorgular.<\/p>\nSonbahar 2021:<\/em><\/strong><\/p>\nAsl\u0131 I\u015f\u0131ksal & Esra Oskay: \u201cOfisYe\u015fili #120Derece\u201d<\/strong>
\nSanat\u00e7\u0131lar A\u00e7\u0131k At\u00f6lye kapsam\u0131nda, park kavram\u0131n\u0131 bu \u00e7ok y\u00f6nl\u00fc heterojen yap\u0131s\u0131yla inceleyerek\u00a0kent i\u00e7indeki rol\u00fcne odakland\u0131lar.\u00a0Bu\u00a0saha \u00e7al\u0131\u015fmas\u0131ndan yola \u00e7\u0131karak bir ekip olarak sanatsal \u00fcretimlerinin s\u0131n\u0131rlar\u0131n\u0131 yeniden test etme imkan\u0131n\u0131 yaratt\u0131lar. Kapal\u0131 mekanlar\u0131n tehditk\u00e2r, tehlikeli ve bula\u015f\u0131c\u0131 oldu\u011fu bir d\u00f6nemde yeniden talep edilir alanlar haline gelen parklar, yeniden bak\u0131\u015f alan\u0131m\u0131za girerken kentin i\u00e7inde yeni anlamlar kazanmaktad\u0131rlar. Ankara-\u0130stanbul ekseninde hayata ge\u00e7irilen\u00a0proje farkl\u0131 \u015fehirlerdeki farkl\u0131 parklar\u0131n kullan\u0131m bi\u00e7imlerini, buradaki eylem da\u011farc\u0131\u011f\u0131n\u0131 inceleyerek park\u0131n \u00e7e\u015fitlenen y\u00fczlerini g\u00f6stermeyi tasarlad\u0131.\u00a0Bu anlamda parka dair bellekte kalan, hat\u0131ra foto\u011fraflar\u0131na yans\u0131yan ya da Instagram hikayelerine d\u00fc\u015fen temsiller, bu projenin ana merkezini olu\u015fturdu.\u00a0Park\u0131n sundu\u011fu g\u00f6r\u00fcn\u00fcr i\u015flevleri kadar zamanla de\u011fi\u015fen bi\u00e7imlerini de yakalamak i\u00e7in bu temsiller proje \u00e7er\u00e7evesinde kilit bir rol oynad\u0131.<\/p>\nGizem \u00dcnl\u00fc & Merve Vural: \u201cDalgan\u0131n Getirdikleri”<\/strong>
\nDaire A\u00e7\u0131k At\u00f6lye Program\u0131 i\u00e7in olu\u015fturulan bu proje, bir s\u00fcredir ikilinin \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u201cDalga\/Denge\/D\u00f6ng\u00fc\u201d isimli ara\u015ft\u0131rma odakl\u0131 bir \u00e7al\u0131\u015fman\u0131n ilk aya\u011f\u0131n\u0131 olu\u015fturuyor ve \u201cDalgan\u0131n Getirdikleri\u201d ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yor. \u00c7al\u0131\u015fma metodlar\u0131, bug\u00fcne kadar DDD ba\u011flam\u0131nda biriktirdikleri t\u00fcm metin, ses, g\u00f6rsel ve nesneleri at\u00f6lyeye getirerek bir oyun alan\u0131 kurmak ve birbirlerinin m\u00fcdahale edece\u011fi ge\u00e7ici yerle\u015ftirmeler olu\u015fturarak bu yerle\u015ftirmelerin kayd\u0131n\u0131 tutmak \u00fczerine oldu.\u00a0\u2018Dalgan\u0131n Getirdikleri\u2019 ismiyle m\u00fcsemma \u015fekilde, birbirlerinin kald\u0131\u011f\u0131 yerden devam edecekleri bir ara\u015ft\u0131rma s\u00fcreci yaratt\u0131lar.\u00a0Sanat\u00e7\u0131lar Daire Sanat A\u00e7\u0131k At\u00f6lye Sanat\u00e7\u0131 Program\u0131 kapsam\u0131nda hem kendi sanatsal pratikleri \u00fczerinden diyaloglar geli\u015ftirdiler, hem de\u00a0ziyaret\u00e7ilerle\u00a0hayatta kalma stratejileri \u00fczerine konu\u015fmalar yapt\u0131lar.<\/p>\n\u0130lkbahar 2022:<\/em><\/strong><\/p>\nEsin Aykanat Avc\u0131- \u201cKe\u015fif Alan\u0131\u201d<\/strong><\/p>\n\u2018Ke\u015fif Alan\u0131\u2019 adl\u0131 proje insan\u0131n do\u011fayla ili\u015fkisi, sanat\u00e7\u0131n\u0131n ise maddeyi ke\u015ffetmek, denemek, \u00f6\u011frenmek ve onunla m\u00fccadele etmek, zaman zaman da uyum sa\u011flamaya \u00e7al\u0131\u015fmas\u0131 \u00fczerine kuruludur. Hacettepe \u00dcniversitesi Biyokimya B\u00f6l\u00fcm\u00fc Ara\u015ft\u0131rma G\u00f6revlisi Ilg\u0131m G\u00f6kt\u00fcrk Ba\u015fal\u2019dan ald\u0131\u011f\u0131\u00a0yard\u0131mla\u00a0h\u00fccresizle\u015ftirme s\u00fcrecini nas\u0131l ger\u00e7ekle\u015ftirece\u011fini \u00f6\u011frenen sanat\u00e7\u0131,\u00a02019 y\u0131l\u0131ndan bu yana at\u00f6lyesinde h\u00fccresizle\u015ftirme y\u00f6ntemiyle \u00fcretti\u011fi \u00e7al\u0131\u015fmalara yo\u011funla\u015fmaktayd\u0131.
\nSanat\u00e7\u0131 program\u0131 kapsam\u0131nda, her biri bir s\u00fcre\u00e7 olarak tasarlanan, kil ve suyu bulu\u015fturan ve bitkilere m\u00fcdahalelerde bulunarak ger\u00e7ekle\u015ftirdi\u011fi\u00a0\u00e7al\u0131\u015fmalar\u0131na sanat\u00e7\u0131\u00a0bu sefer, at\u00f6lye s\u00fcre\u00e7lerini de dahil ederek izleyiciyle payla\u015f\u0131yor\u00a0olacak.<\/p>\n
Medine \u0130rak- \u201cDe\u011fi\u015fimin Vaka-i Namesi\u201d<\/strong>
\nSanat\u00e7\u0131 program s\u00fcresince Yedikule Surlar\u0131 ve Bostanlar\u0131n\u0131 referans alan, daha \u00f6nce \u00fcretti\u011fi \u00e7al\u0131\u015fmalara odakl\u0131 bir ara\u015ft\u0131rma s\u00fcrecini ilerletmeyi, geli\u015ftirmeyi ama\u00e7lamaktad\u0131r.\u00a0\u0130rak, saha ara\u015ft\u0131rmas\u0131 y\u00f6ntemi ile yapaca\u011f\u0131 bu projede, ta\u015f, bitki, canl\u0131 organizmalar ile tarihi yap\u0131lar\u0131n olu\u015fturdu\u011fu ekosistemin s\u00fcrd\u00fcr\u00fclebilirli\u011fini sorgulayacak. G\u00f6zlem, veri toplama, \u00e7izimler gibi pratikler yoluyla ar\u015fivleme yaparak sonucun sunuma d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesini planlamaktad\u0131r. Kentle\u015fmenin do\u011fal sonu\u00e7lar\u0131 olarak da okunabilecek ekosistemlerin ge\u00e7irdi\u011fi s\u00fcre\u00e7lerin dinamik, canl\u0131 bir kay\u0131t alt\u0131na tasarlamaktad\u0131r.<\/p>\nSonbahar 2022:<\/em><\/strong><\/p>\nSeher Uysal,\u00a0\u00a0“Okuma \u0130\u015ftah\u0131”\u00a0<\/strong>
\nSeher Uysal, An Appetite to Read \/ Okuma \u0130\u015ftah\u0131 adl\u0131 projesinde, okumaktan kitap al\u0131p biriktirmeye, koleksiyonerli\u011fe ve hi\u00e7 bitmeyen bir i\u015ftaha sahip olmakla ilgili bir serinin ilk halkas\u0131n\u0131 olu\u015fturacak. Okuma ihtiyac\u0131, basit bir g\u00fcnl\u00fck rit\u00fcelden\u00a0\u00f6te, bazen bilinmeyen dillerde al\u0131nan kitaplara, hatta bazen bir mesle\u011fin kendisine d\u00f6n\u00fc\u015f\u00fcr.\u00a0\u00a0Projenin ilk halkas\u0131 \u0130sve\u00e7\u2019in k\u00fc\u00e7\u00fck bir k\u00f6y\u00fcnde k\u00fct\u00fcphanecilik yapan Magnus Grehn\u2019e odaklan\u0131yor.\u00a0Sanat\u00e7\u0131, ki\u015fi \u00f6zelinde, basit bir ihtiya\u00e7tan yola \u00e7\u0131kan, merak duygusuna arac\u0131l\u0131k eden bir objenin, nas\u0131l bir insan\u0131n hayat\u0131n\u0131n odak noktas\u0131 haline geldi\u011fini ara\u015ft\u0131r\u0131yor.<\/p>\nMeltem S\u0131rt\u0131kara,\u00a0“Okyanusa A\u00e7\u0131lmak”<\/em><\/strong>
\nMeltem S\u0131rt\u0131kara, son d\u00f6nem \u00e7al\u0131\u015fmalar\u0131nda do\u011fa ile k\u00fclt\u00fcr nesnelerini bir a\u011f sistemi i\u00e7inde y\u00fczd\u00fcrerek s\u0131n\u0131rlar\u0131 e\u015fi\u011fe \u00e7evirip deney alanlar\u0131 kurguluyor. Bu sistemde insan\u0131 \u00e7evreleyen nesneler, onun alg\u0131lar\u0131ndan ve bilgi kategorilerinden ba\u011f\u0131ms\u0131z olarak kendi aralar\u0131nda ili\u015fkiler geli\u015ftirebilirler. Bu durum, g\u00fcn\u00fcm\u00fcz toplumlar\u0131n\u0131n hatta t\u00fcr\u00fcm\u00fcz\u00fcn devam\u0131n\u0131 sa\u011flayabilecek ortak ya\u015fam olanaklar\u0131n\u0131n ara\u015ft\u0131r\u0131lmas\u0131n\u0131 m\u00fcmk\u00fcn k\u0131labilir. Sanat\u00e7\u0131 at\u00f6lye d\u00f6nemi boyunca mekan\u0131, aralar\u0131nda haz\u0131r nesnelerin de oldu\u011fu farkl\u0131 malzemelerden yararlanarak ve d\u00f6n\u00fc\u015ft\u00fcrerek olu\u015fturdu\u011fu \u00f6r\u00fcnt\u00fcn\u00fcn bir par\u00e7as\u0131 haline getirecek. Bu bak\u0131\u015fla, \u201cOkyanusa A\u00e7\u0131lmak\u201d adl\u0131 projede sanat\u00e7\u0131, \u00fc\u00e7 ay s\u00fcrecek at\u00f6lye s\u00fcrecinde \u00a0mekan\u0131n duvarlar\u0131n\u0131 kullanarak\u00a0bir yerle\u015ftirme olu\u015fturacak. Bu \u00fc\u00e7 boyutlu yerle\u015ftirmede sanat\u00e7\u0131, s\u0131n\u0131rlar\u0131 e\u015fi\u011fe \u00e7eviren bir \u00f6zg\u00fcrl\u00fck alan\u0131 a\u00e7mak amac\u0131yla, \u00e7e\u015fitli malzemeler kullanarak okyanusa a\u00e7\u0131lan bir nehir olu\u015fturacak.
\n\u0130lkbahar 2023:<\/em><\/strong><\/p>\nSeniha \u00dcnay,<\/strong>\u00a0“Bah\u00e7e G\u00fcn\u00fc”<\/strong><\/p>\n\u201cBah\u00e7e G\u00fcn\u00fc\u201d ba\u015fl\u0131kl\u0131 proje, Nathaniel Hawthorne\u2019nun \u201cRapaccini\u2019nin K\u0131z\u0131\u201d kitab\u0131nda bir bah\u00e7eye kapat\u0131lm\u0131\u015f olan Bearice\u2019in hik\u00e2yesi ve bir aile alb\u00fcm\u00fcnde bah\u00e7e i\u00e7inde \u00e7ekilmi\u015f foto\u011fraflarda g\u00f6r\u00fcnen kad\u0131nlardan hareket ediyor. Kitapta Rapaccini\u2019nin k\u0131z\u0131 Beatrice\u2019in ya\u015fam\u0131, bilim insan\u0131 babas\u0131 taraf\u0131ndan yarat\u0131lm\u0131\u015f bah\u00e7ede s\u00fcregiderken; ak\u0131l, bilim ve deney haklar\u0131n\u0131 ellerinde tutan di\u011fer iki erkek karakterin etkisiyle yok oluyor.\u00a0 Beatrice i\u00e7in erkek insan yap\u0131m\u0131 bir bah\u00e7e olan do\u011fa; bah\u00e7elerin \u00f6n\u00fcnde g\u00f6r\u00fcnen kad\u0131nlar i\u00e7in t\u00fcm canl\u0131l\u0131\u011f\u0131 ve iradesiyle \u00f6zde\u015f olduklar\u0131 bir do\u011faya d\u00f6n\u00fc\u015f\u00fcyor. Bu iki hik\u00e2yenin kesi\u015fti\u011fi noktada proje, do\u011fan\u0131n ve k\u00fclt\u00fcr\u00fcn s\u0131n\u0131r\u0131nda duran kad\u0131nlara ve insan d\u0131\u015f\u0131 canl\u0131lara odaklan\u0131yor.<\/p>\n
Berka Beste Kopuz,<\/strong>\u00a0“Haf\u0131zamda \u0130zi Sakl\u0131”<\/strong><\/p>\nSanat\u00e7\u0131 yakla\u015f\u0131k \u00fc\u00e7 sene \u00f6nce; iki ya\u015f\u0131ndan beri ya\u015famakta oldu\u011fu\u00a0Ac\u0131badem semtinin tarihinden yola \u00e7\u0131kan, ya\u015fad\u0131\u011f\u0131\u00a0yer ile kurdu\u011fu\u00a0ili\u015fkiyi anlamaya \u00e7al\u0131\u015ft\u0131\u011f\u0131\u00a0bir proje \u00fczerine \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Projenin \u00e7\u0131k\u0131\u015f noktas\u0131 evinin yan\u0131 ba\u015f\u0131nda duran at\u0131l bir yap\u0131n\u0131n, eski bir Av K\u00f6\u015fk\u00fc oldu\u011funu \u00f6\u011frenmesiyle ba\u015flay\u0131p,\u00a0 sonras\u0131nda \u201cben nerede ya\u015f\u0131yorum?<\/em>\u201d sorusuyla y\u00fczle\u015fmesiyle devam ederek uzun soluklu bir ara\u015ft\u0131rma s\u00fcreci \u015feklinde ilerledi.<\/p>\nSanat\u00e7\u0131n\u0131n bir mahalleli olarak, ki\u015fisel deneyimlerinin\u00a0ve ara\u015ft\u0131rmalar\u0131n\u0131n akabinde \u201cHaf\u0131zamda \u0130zi Sakl\u0131\u201d projesindeki amac\u0131; tarihin, ar\u015fivlerin ve s\u00f6zel tarihler ile deneyimlerin haf\u0131zam\u0131zda nas\u0131l yer etti\u011fi sorusundan yola \u00e7\u0131karak, g\u00fcndelik hayatta s\u0131kl\u0131kla temas etti\u011fimiz beton malzemesi arac\u0131l\u0131\u011f\u0131yla birey ve toplumlar olarak \u201cyer\u201d ve \u201cmekan\u201dlar ile nas\u0131l ili\u015fkiler kurdu\u011fumuz \u00fczerine tekrar d\u00fc\u015f\u00fcnmek i\u00e7in bir kap\u0131 aralamakt\u0131r.<\/p>\n
Sonbahar 2023:<\/em><\/strong><\/p>\nBeyza Dilem Topdal “Leziz Antroposen Ziyafeti”<\/strong>
\nBu proje sanat\u00e7\u0131n\u0131n \u0130stanbul Bo\u011faz\u0131 ve deniz canl\u0131lar\u0131 \u00fczerine etnografik metodlarla s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ara\u015ft\u0131rmay\u0131 temel al\u0131r. \u0130stanbul\u2019un deniz mutfa\u011f\u0131n\u0131 spek\u00fclatif bir kurguyla ele alacak olan bu \u00e7al\u0131\u015fma, leziz bir antroposen mutfaktan s\u00f6z etmenin nas\u0131l m\u00fcmk\u00fcn olabilece\u011fini sorgular. Proje; kirlilik, av bask\u0131s\u0131 ve teknolojik m\u00fcdahalelerden yola \u00e7\u0131karak ve yeni bir mutfak kurgusu olu\u015fturmay\u0131 ama\u00e7lar. Daire Sanat’ta ger\u00e7ekle\u015ftirilecek projede, agar agar ve gliserin gibi do\u011fal malzemelerle, Arduino kartlar\u0131, mikrodenetleyiciler ve sens\u00f6rler bir araya gelerek, organik ve inorganik materyallerin yiyece\u011fin duyusal y\u00f6nlerine odaklanmas\u0131 ama\u00e7lanmaktad\u0131r. At\u00f6lye ortam\u0131n\u0131n hem mutfak hem de laboratuvar gibi kullan\u0131lmas\u0131 ara mekanlar \u00fczerine d\u00fc\u015f\u00fcnd\u00fcr\u00fcrken, Daire\u2019nin Karak\u00f6y Bal\u0131k\u00e7\u0131lar \u00c7ar\u015f\u0131s\u0131\u2019na ve tarihi Yar\u0131mada’ya olan yak\u0131nl\u0131\u011f\u0131 ile, sanatsal \u00fcretim ile saha ara\u015ft\u0131rmas\u0131 aras\u0131nda bir k\u00f6pr\u00fc g\u00f6revi g\u00f6rmesi de ama\u00e7lanmaktad\u0131r.<\/p>\n\u00d6zkan I\u015f\u0131k<\/strong>\u00a0\u00a0“Damat Boh\u00e7as\u0131”<\/strong>
\n\u201cDamat Boh\u00e7as\u0131\u201d isimli proje, d\u00fc\u011f\u00fcn \u00f6ncesi gelin taraf\u0131ndan damat i\u00e7in haz\u0131rlanan boh\u00e7an\u0131n i\u00e7eri\u011fine kuir olas\u0131l\u0131klar ekseninde yeniden bakmaya odaklanmaktad\u0131r. \u00c7eyiz; toplumlar\u0131n genel ge\u00e7er kabul\u00fcne ili\u015fkin en \u00f6nemli referans olarak, hayali ger\u00e7ekle\u015fmi\u015f arzunun, nesneler d\u00fcnyas\u0131ndaki nihai g\u00f6stereni olarak d\u00fc\u015f\u00fcn\u00fclmektedir. Proje, toplumun dayatt\u0131\u011f\u0131 hayal, arzu ve beklentilerin yine toplumun tahakk\u00fcm\u00fc alt\u0131nda yo\u011funla\u015farak elle tutulur hale geldi\u011fi bir nesneler b\u00fct\u00fcn\u00fcn\u00fc yani \u00e7eyiz imgesi \u00fczerine yeniden d\u00fc\u015f\u00fcnmeyi \u00f6nermektedir. Kuma\u015f ve dokuman\u0131n di\u015fil, yumu\u015fak, zanaat temelli\/h\u00fcner gerektiren, g\u00f6steri\u015fli taraf\u0131yla oynayarak da \u00fcretim s\u00fcreci, projenin ortaya \u00e7\u0131kar\u0131lmas\u0131 noktas\u0131nda bir performans olarak \u00f6n g\u00f6r\u00fcl\u00fcyor. Ayn\u0131 zamanda, at\u00f6lyenin k\u00fc\u00e7\u00fck bir \u00e7eyiz d\u00fckkan\u0131 gibi hem \u00fcretim yap\u0131lan hem de \u00e7eyiz serme\/g\u00f6sterme
\nrit\u00fcelinde oldu\u011fu gibi \u00fcretilen i\u015flerin sergilendi\u011fi bir alana d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi planlanmaktad\u0131r. Damat boh\u00e7as\u0131 i\u00e7inde yer alan g\u00f6mlek, terlik, \u00e7ama\u015f\u0131r vs. gibi \u00fcr\u00fcnleri, erkeklik temsillerinin \u00e7oklu g\u00f6sterenleri referans al\u0131narak yeniden \u00fcretilip yenilik\u00e7i tekrarlar\u0131n olas\u0131l\u0131klar\u0131 \u00fczerine d\u00fc\u015f\u00fcnmeyi \u00f6nermektedir.<\/p>\n\u0130lkbahar 2024:<\/em><\/strong><\/p>\nFatma \u00c7akmak:\u00a0“Su Gibi Yolumu Bulurdum” \/\/ The River is the Border<\/strong>
\n\u00c7al\u0131\u015fmalar\u0131n\u0131 s\u0131n\u0131r kavram\u0131 \u00fczerinden \u00fcreten sanat\u00e7\u0131, planlad\u0131\u011f\u0131 bu projede serilerinin devam niteli\u011finde\u00a0 ger\u00e7ek bir deneyiminden yola \u00e7\u0131k\u0131yor. Sanat\u00e7\u0131, 2020 y\u0131l\u0131n\u0131n Mart ay\u0131nda s\u0131n\u0131rlar\u0131n a\u00e7\u0131lmas\u0131yla “umuda yolculuk” ser\u00fcveninde m\u00fcltecilerle birlikte Meri\u00e7 nehrine kadar seyahat etti. Buradaki an\u0131lar\u0131ndan beslenerek\u00a0suyla \u00e7izilmi\u015f devlet s\u0131n\u0131rlar\u0131n\u0131 incelemeye ba\u015flad\u0131. Sanat\u00e7\u0131 A\u00e7\u0131k At\u00f6lye program\u0131 boyunca uluslararas\u0131 ili\u015fkilerde suyun bir meta olarak stratejik \u00f6nemini ara\u015ft\u0131racak. Buradaki amac\u0131 devlet s\u0131n\u0131rlar\u0131n\u0131n su havzalar\u0131yla etkile\u015fimini ke\u015ffetmektir. Ayr\u0131ca bu yerlerin g\u00f6r\u00fcnt\u00fclerini \u00e7izerek \u00e7ok say\u0131da peyzaj resmini bir araya getirecek. B\u00f6ylece manzara resmi i\u00e7indeki suyun do\u011fal g\u00fczelliklerini ve devlet politikalar\u0131n\u0131n karma\u015f\u0131kl\u0131\u011f\u0131 aras\u0131ndaki ili\u015fkiyi vurgulayarak, bu \u00e7izimleri tekil peyzaj resimlerinin \u00f6tesine ge\u00e7irmeyi;\u00a0su ve devlet politikalar\u0131n\u0131n bir par\u00e7as\u0131 olarak nitelemeyi ama\u00e7l\u0131yor.<\/p>\nMurat Kahya:\u00a0“Tahterevalli: G\u00f6rd\u00fcklerim ve Duyduklar\u0131m” \/\/\u00a0“Seesaw, What I Heard and Saw\u2019\u2019<\/strong>
\nMurat Kahya’n\u0131n “Tahterevalli: G\u00f6rd\u00fcklerim ve Duyduklar\u0131m” adl\u0131 projesi\u00a0foto\u011fraf\u0131n temsil etti\u011fi ge\u00e7mi\u015f ile i\u015fitmenin anl\u0131\u011f\u0131n\u0131 bir araya getirdi\u011fi\u00a0ar\u015fiv, foto\u011fraf, yaz\u0131 ve performans\u0131 kapsayan bir \u00e7al\u0131\u015fmad\u0131r. Sanat\u00e7\u0131, rastlant\u0131sal mekanlara yay\u0131lan, spontane olarak kulak misafiri oldu\u011fu\u00a0konu\u015fmalar\u0131 yaz\u0131ya d\u00f6kerek kal\u0131c\u0131 hale getiriyor. Kal\u0131c\u0131 hale gelmi\u015f bu sesleri foto\u011fraflar ile birle\u015ftirerek g\u00f6rselle\u015ftiriyor ve\u00a0ayn\u0131 zamanda foto\u011fraflar i\u00e7in yaz\u0131lardan olu\u015fan bir zemin yarat\u0131yor. \u0130\u015fitsel uyaranlar toplumsal varolu\u015fa dair fikir sunarken, ar\u015fiv taramas\u0131yla ortaya \u00e7\u0131kan foto\u011fraflar ile birle\u015ftirerek i\u015fitsel ve g\u00f6rsel bir haritaland\u0131rma olu\u015fturuyor. Sanat\u00e7\u0131 program s\u00fcresince at\u00f6lyenin duvar\u0131nda bir araya gelmeye ba\u015flayan yaz\u0131lar ve g\u00f6rselleri, d\u00f6nem sonunda k\u00fcp haline gelmi\u015f bir foto-kitap heykelin i\u00e7inde anlat\u0131 haline getirecek.<\/p>\n <\/p>\n
Sonbahar 2024<\/em><\/strong><\/p>\nKovanProject (Beyza Durhan & Asl\u0131han Mumcu),<\/strong>\u00a0\u00a0“\u0130ki Y\u00fczl\u00fc Almanak”<\/strong>
\n\u0130ki Y\u00fczl\u00fc Almanak, do\u011fa ve insan aras\u0131ndaki hiyerar\u015fiyi nas\u0131l “yersizyurtsuzla\u015ft\u0131rabilece\u011fini” soruyor. Ar\u0131lar\u0131n, g\u00fcne\u015fin ve bitkilerin yolculu\u011funu ve aralar\u0131ndaki ili\u015fkiyi bir kimlik meselesi addediyor; ge\u00e7i\u015f, d\u00f6n\u00fc\u015f\u00fcm ve aidiyet kavramlar\u0131yla analiz etmeyi \u00f6neriyor. Proje, makro ve mikro \u00f6l\u00e7\u00fcde \u015e\u0131rnak ve Tekirda\u011f\u2019da ge\u00e7en bir y\u0131l\u0131n g\u00f6rsel g\u00fcnl\u00fcklerinden, bitkilerinden ve yan\u0131 s\u0131ra at\u00f6lye at\u0131klar\u0131ndan, duvarda biten bitkiden besleniyor olacak. \u0130stanbul\u2019da Daire Sanat\u2019\u0131 bir kovan(ev) olarak niteliyor ve burada dok\u00fcmantasyonunu bir \u00fcretim olarak ortaya koymay\u0131 planl\u0131yor. Bu s\u00fcre\u00e7te at\u00f6lyede m\u00fch\u00fcrler i\u015fleniyor ve bas\u0131l\u0131yor, yol haritalar\u0131 g\u00fcn i\u00e7inde t\u00fcketilen at\u0131klar\u0131n yeniden pi\u015fmesiyle biyoplastik olarak \u015fekilleniyor ve ge\u00e7mi\u015fin g\u00f6rsel g\u00fcnl\u00fckleri malzemesiyle deneye a\u00e7\u0131k olarak yeniden g\u00f6zden ge\u00e7iriliyor olacak. Sanat\u00e7\u0131 ikilisi b\u00f6ylece kar\u015f\u0131l\u0131kl\u0131 in\u015fan\u0131n yollar\u0131n\u0131 bireysel ge\u00e7mi\u015fi, betonu, birlikteli\u011fi, kar\u015f\u0131la\u015fmay\u0131, t\u00fcketimi ve \u00fcretimi yok saymadan ar\u0131yor olacaklar.<\/p>\nCan Memi\u015fo\u011fullar\u0131,\u00a0“Tutun-ma”<\/strong>
\n“Tutun-ma,” modern d\u00fcnyan\u0131n belirsizlikleri ve dijitalle\u015fmenin getirdi\u011fi d\u00f6n\u00fc\u015f\u00fcmler kar\u015f\u0131s\u0131nda insan\u0131n hayatta kalma m\u00fccadelesini ele alan bir sanatsal ara\u015ft\u0131rma projesidir. Proje, bireylerin var kalma \u00e7abas\u0131n\u0131 hem fiziksel hem de dijital d\u00fcnyada tutunma ve tutunamama aras\u0131nda gidip gelen bir s\u00fcre\u00e7 olarak yeniden yorumluyor. Eserler, bireysel ve kolektif d\u00fczeydeki direni\u015fin, var kalma arzusunun ve bu aray\u0131\u015f\u0131n izlerini ta\u015f\u0131yor. “Tutun-ma,” zaman\u0131n, mekan\u0131n ve kimli\u011fin katmanlar\u0131n\u0131 derinlemesine inceleyerek, bu unsurlar\u0131 de\u015fip yeni bir perspektiften bakmay\u0131 ama\u00e7l\u0131yor. Proje, izleyiciyi yaln\u0131zca bir g\u00f6zlemci olarak de\u011fil, ayn\u0131 zamanda bu var kalma m\u00fccadelesinin bir par\u00e7as\u0131 olarak konumland\u0131r\u0131yor.<\/p>\n <\/p>\n
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[vc_row][vc_column][vc_custom_heading text=”KATILAN SANAT\u00c7ILAR” font_container=”tag:h2|text_align:left|color:%23cf2065″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1731411399883{margin-top: 30px !important;}”]Pilot D\u00f6nemi I: 3 Aral\u0131k 2019 \u2013 31 Mart 2020 Alp \u0130\u015fmen Pilot […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/pages\/298"}],"collection":[{"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":35,"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/pages\/298\/revisions"}],"predecessor-version":[{"id":950,"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/pages\/298\/revisions\/950"}],"wp:attachment":[{"href":"https:\/\/dairesanat.com\/index.php\/wp-json\/wp\/v2\/media?parent=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}